This role is for someone who is as fluent in typography as they are in timelines, able to move between branding, print, UI/UX, film, animation, and emerging media like AI and AR without losing their creative thread.
This role is equal parts craft and curiosity: one day you might be shaping a visual identity from scratch, the next directing an on-set shoot, prototyping an interactive experience, or experimenting with generative tools. You’ll be working hands-on across mediums, collaborating directly with artists, filmmakers, and technologists to create work that feels fresh, thoughtful, and culturally tuned-in.
If you’re the kind of designer who collects ideas like other people collect stamps, and you can translate those ideas into something both beautiful and functional, we want to talk.
What you’ll be doing
- Building brands that feel like they’ve existed forever and brands that feel like they came from the future.
- Designing across print, digital, branding, UI/UX, film, animation, and experiments in AI/AR.
- Art directing photo and video shoots — sometimes minimal and clean, sometimes messy and maximal.
- Pushing pixels and type until they behave.
- Working directly with founders, artists, filmmakers, and technologists to bring strange and beautiful ideas to life.
Who you might be
- A designer who can speak both Helvetica and After Effects.
- Equally comfortable in Adobe CC, Figma, and maybe Blender or Unreal.
- Someone who has opinions about type, color, and composition — and can back them up.
- Curious about AI tools, AR/VR experiences, and whatever the next “medium” might be.
- The kind of person who collects references in folders you name like film titles.
- You thrive in small, fast, and high-standards teams.